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Sans Superellipse Upfe 7 is a very bold, very wide, low contrast, upright, normal x-height font visually similar to 'Square 721' by Bitstream; 'Arian', 'Eurostile Next', and 'Eurostile Next Paneuropean' by Linotype; 'Bi Bi' by Naghi Naghachian; and 'Eurostile SB' by Scangraphic Digital Type Collection (names referenced only for comparison).

Keywords: headlines, posters, logos, branding, sportswear, techy, industrial, sporty, futuristic, confident, impact, modernity, clarity, systematic, geometric, blocky, rounded, squarish, compact.


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A heavy, geometric sans with squarish, rounded-rectangle (superellipse-like) curves and broad, stable proportions. Strokes are uniform with minimal modulation, and terminals are clean and mostly flat, producing a crisp, engineered silhouette. Counters are relatively tight and often rectangular/oval hybrids, with rounded corners that keep the forms friendly despite the mass. The overall rhythm is compact and punchy, with sturdy horizontals and simplified joins that emphasize legibility at display sizes.

Best suited for high-impact headlines, posters, and logo wordmarks where a solid, contemporary presence is needed. It also fits UI-style titles, product packaging, and sports/tech branding that benefits from a sturdy, geometric voice. For longer text, it will be most effective in short blocks, captions, or emphasis where its dense texture remains comfortable.

The tone is bold and utilitarian, evoking modern tech interfaces, athletic branding, and industrial signage. Its rounded-square construction reads contemporary and purposeful—confident rather than delicate—while the softened corners add approachability. The result feels energetic and forward-looking without becoming playful or decorative.

Likely designed to deliver maximum presence with a clean, geometric construction rooted in rounded-rectangle forms. The intent appears to balance a mechanical, modern feel with softened corners for friendliness, creating a versatile display sans for contemporary branding and interface-forward design.

Digits and capitals share the same squared, rounded-corner logic, giving headlines and numeric-heavy layouts a consistent, system-like feel. The letterforms favor clear, simplified geometry over calligraphic nuance, and the overall texture stays dense and uniform in paragraphs, suggesting it’s best used where impact matters more than airy readability.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸