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Serif Contrasted Utba 9 is a bold, wide, very high contrast, upright, normal x-height font visually similar to 'Bauer Bodoni' and 'Bodoni' by Bitstream, 'New Bodoni DT' by DTP Types, 'Bauer Bodoni EF' by Elsner+Flake, 'Bauer Bodoni' by Linotype, 'Bodoni Serial' by SoftMaker, 'TS Bodoni' by TypeShop Collection, 'Abril' by TypeTogether, and 'Basilia' by URW Type Foundry (names referenced only for comparison).

Keywords: headlines, magazine, posters, branding, invitations, luxury, editorial, dramatic, classic, formal, premium impact, elegant contrast, editorial voice, formal display, hairline serifs, vertical stress, sharp terminals, crisp, calligraphic.


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A high-contrast serif with pronounced thick–thin modulation and clear vertical stress. The capitals are broad and assertive, with crisp, fine hairlines and sharp, unbracketed-looking serifs that read cleanly at display sizes. Lowercase forms show a traditional rhythm with a moderate x-height, compact apertures, and elegant curves; details like the ball terminals (notably on forms such as the ‘a’ and ‘f’) add a slightly calligraphic finish. Numerals follow the same contrast logic, mixing sturdy stems with delicate cross strokes for a refined, engraved-like texture.

This design is well suited to display settings such as magazine headlines, fashion and culture editorial, posters, and premium branding where sharp contrast can be a feature. It also fits formal materials like invitations and certificates, especially when used at larger sizes to preserve delicate hairlines.

The overall tone is polished and high-end, projecting a sense of luxury and editorial authority. Its dramatic contrast and sharp finishing convey sophistication, ceremony, and a slightly theatrical flair suited to statement typography.

The font appears designed to deliver a modernized Didone-like elegance: bold presence, refined hairlines, and a controlled, vertical stress that produces a sleek, upscale texture in both uppercase and mixed-case typography.

In the text sample, the weight and contrast create a strong typographic color that feels best when given generous spacing and size. The fine hairlines and pointed joins contribute to a crisp, formal voice, while the rounded terminals prevent the design from feeling overly austere.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸