Sans Superellipse Onbek 3 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Celex Grotesk' by Designova, 'Knockout' by Hoefler & Co., 'Corelia' by Hurufatfont, 'Flaco' by Letter Edit, 'MC Fuildon' by Maulana Creative, and 'Sebino Soft' by Nine Font (names referenced only for comparison).
Keywords: ui, branding, headlines, signage, packaging, clean, modern, friendly, confident, functional, clarity, modernization, approachability, consistency, versatility, rounded, soft corners, geometric, high contrast (shape), compact counters.
This sans-serif presents sturdy, even-weight strokes with a geometric construction and consistently rounded corners. Curves tend toward squarish, superellipse-like bowls, giving round letters a subtly rectangular feel, while terminals are clean and uncluttered. Proportions are balanced with a moderate x-height, compact counters, and straightforward joins that keep forms stable and legible in bold settings. Overall spacing and rhythm feel steady and engineered rather than expressive, with crisp horizontals and smooth, uniform curvature throughout.
It works well for user interfaces, product branding, and short-to-medium headlines where a solid, contemporary presence is needed. The rounded geometry also suits signage and packaging that benefit from a friendly but controlled tone, while the sturdy construction supports high-contrast applications.
The tone is modern and approachable, pairing a friendly softness from the rounded geometry with a confident, no-nonsense weight. It reads as contemporary and utilitarian, suited to interfaces and branding that want clarity without sharpness.
The design appears intended to deliver a clean, contemporary sans with softened geometry—combining technical consistency with approachable rounded forms. It prioritizes stable, repeatable shapes and clear silhouettes for practical, modern communication.
Round characters such as O/C/G and numerals show the signature rounded-rectangle curvature, which helps the font feel cohesive across letters and figures. The lowercase maintains simple, familiar silhouettes, supporting quick recognition in running text while still feeling distinctly geometric.