Sans Superellipse Otlaz 2 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Pierce Jameson' by Grezline Studio, 'Evanston Tavern' by Kimmy Design, 'Gemsbuck Pro' by Studio Fat Cat, and 'Forgotten Futurist' by Typodermic (names referenced only for comparison).
Keywords: headlines, branding, posters, signage, packaging, tech, industrial, futuristic, confident, utilitarian, geometric voice, tech branding, display impact, systematic consistency, rounded corners, squared curves, compact, high contrast counters, modular.
A heavy, geometric sans with a pronounced superelliptical construction: curves read as rounded rectangles, and corners resolve into consistent radii rather than true circular bowls. Strokes are uniform and sturdy, with compact internal counters and a generally wide, blocky silhouette that keeps letters feeling dense and stable. Terminals are clean and squared-off, and many forms (notably C, G, O/Q and numerals) follow a softened-rectangle logic that creates a crisp, engineered rhythm. The lowercase is straightforward and built from the same modular parts, with a simple single-storey a and compact, squared bowls across b/d/p/q.
Well-suited to bold headlines, brand marks, and packaging where a compact, engineered look is desirable. It also fits signage and interface-style graphics thanks to its sturdy strokes and consistent rounded-rectangle construction.
The overall tone is modern and technical, leaning toward an industrial, UI-forward voice. Its rounded-rectangle geometry feels engineered and purposeful, projecting confidence and clarity rather than friendliness or handwriting warmth.
The design appears intended to deliver a strong, contemporary sans with a distinctive superelliptical geometry—combining strict, modular structure with softened corners for a controlled, modern feel.
The shapes emphasize straight segments and short-radius rounding, which produces a distinctive “soft-cornered” look at both display and text sizes. Figures share the same squared-curve vocabulary, giving numeric content a cohesive, instrument-panel character.