Sans Other Mybeh 5 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Dexa Pro' by Artegra, 'Hero Sandwich Pro' and 'Power Pop' by Comicraft, 'Vilanders' by Edignwn Type, 'Knicknack' by Great Scott, and 'Otter' by Hemphill Type (names referenced only for comparison).
Keywords: kids branding, posters, packaging, headlines, stickers, playful, chunky, friendly, comic, bouncy, playful display, handmade feel, friendly impact, bold signage, rounded, blobby, soft corners, quirky, irregular.
A heavy, rounded sans with soft, swollen strokes and subtly irregular outlines that give a hand-cut, organic feel. Terminals are mostly blunt with generous corner rounding, and counters are compact, producing strong black shape and high visual impact. Proportions vary from glyph to glyph, with slightly uneven widths and spacing that create a lively rhythm. Lowercase forms show a tall x-height and simplified construction, while numerals and capitals follow the same chunky, molded silhouette for a cohesive, bold texture in text.
Best suited for display use such as kids-oriented branding, playful packaging, event posters, social graphics, and short headlines where boldness and character are the priority. It can also work for logos and labels that want a soft, handmade feel, while extended body text is less ideal due to the heavy texture.
The font conveys a cheerful, informal tone with a cartoon-like bounce. Its uneven, blobby geometry feels approachable and a bit mischievous, emphasizing personality over precision. The overall color on the page is loud and friendly, suited to upbeat messaging.
Likely designed to deliver an expressive, approachable display voice that feels hand-shaped and fun. The emphasis appears to be on bold silhouette, rounded friendliness, and a lively, slightly imperfect rhythm that adds personality in large, attention-grabbing settings.
Because of the dense strokes and tight counters, details can close up at smaller sizes, while larger settings highlight the charming irregularities. The shapes read best when given breathing room in tracking and line spacing to avoid a crowded, inky texture.