Font Hero

Free for Commercial Use

Sans Superellipse Otdid 8 is a very bold, narrow, monoline, upright, normal x-height font visually similar to 'Brampton' by Letterhend, 'Conthey' by ROHH, 'Jefith' by Twinletter, 'Headlines' by TypeThis!Studio, and 'Yoshida Sans' and 'Yoshida Soft' by TypeUnion (names referenced only for comparison).

Keywords: posters, headlines, signage, packaging, logos, industrial, retro, friendly, punchy, utilitarian, impact, compactness, approachability, clarity, rounded, blocky, compact, soft-cornered, sturdy.


Free for commercial use
Customize the font name

A compact, heavy sans with rounded-rectangle construction and softly squared curves. Strokes maintain an even thickness with minimal contrast, producing dense letterforms and tight internal counters. Corners are consistently radiused, terminals are blunt, and bowls and stems favor superelliptic geometry over perfect circles. The overall rhythm is steady and mechanical, with simplified joins and pragmatic shapes that keep the silhouette bold and legible at display sizes.

This font performs best in headlines, posters, packaging, and signage where bold, compact shapes need to hold up at a distance. It also suits branding marks and label-style applications that benefit from a sturdy, industrial feel with softened edges. In dense layouts, it can provide strong typographic hierarchy and clear emphasis.

The tone is assertive and workmanlike, but the rounded corners add approachability and a subtly playful warmth. It evokes mid-century signage and industrial labeling—confident, straightforward, and slightly retro without becoming decorative. The weight and compactness give it a loud, attention-grabbing voice suited to emphatic messaging.

The design appears intended to deliver maximum visual impact with a compact footprint, using rounded-rectangle geometry to balance toughness with friendliness. Its simplified, uniform strokes suggest a focus on consistency and reproducibility for display-oriented settings such as signage and graphic titles.

Uppercase forms read particularly strong and poster-like, while the lowercase stays simple and sturdy with single-storey constructions where expected. Numerals follow the same squared-round logic, keeping widths and curves visually consistent for graphic use. The overall impression is optimized for impact rather than airy text color.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸