Sans Superellipse Onnam 4 is a bold, normal width, monoline, upright, normal x-height font.
Keywords: branding, headlines, logotypes, ui labels, posters, futuristic, techy, geometric, industrial, playful, modernize, systematize, tech branding, display impact, geometric clarity, rounded corners, squarish, soft terminals, stencil-like, compact.
A geometric sans built from rounded-rectangle and superellipse forms, with consistent monoline strokes and noticeably softened corners. Curves tend to resolve into flat-ish verticals and horizontals, giving many letters a squarish, modular silhouette. Counters are compact and often rectangular with rounded corners; apertures are generally controlled, and joints stay clean without flaring. The design mixes broad rounded bowls with straight-sided stems, producing a crisp, engineered rhythm that stays legible at display sizes.
Best suited to branding, logotypes, posters, and headlines where its geometric, rounded-rect language can define a strong visual identity. It also works well for UI labels, dashboards, and tech-themed packaging where clarity and a modern, engineered feel are desirable. For long-form text, its compact counters and strong geometry may be more effective in larger sizes than in small body copy.
The overall tone feels modern and technology-forward, like interface labeling or sci‑fi hardware. Rounded corners keep it friendly and approachable, while the squared geometry adds a precise, manufactured character. The result reads as confident and contemporary, with a subtle retro-digital flavor.
The design appears intended to translate a rounded-rect, modular construction into a friendly but technical sans for display use. It prioritizes a consistent system of corners, counters, and flat-sided curves to create a cohesive, futuristic voice that stands out in titles and identity work.
Distinctive shapes include boxy round letters (such as O/0-like forms), a squared, open construction in several lowercase shapes, and numerals that echo the same rounded-rectangle logic. The texture is even and strong, and the family of forms appears tightly systematized, which helps it look consistent in headlines and short phrases.