Sans Other Jamid 6 is a regular weight, normal width, monoline, upright, normal x-height font.
Keywords: headlines, logos, posters, game ui, tech branding, futuristic, techno, modular, retro sci‑fi, industrial, distinctive voice, sci‑fi tone, constructed forms, system aesthetic, display impact, geometric, rounded corners, angled cuts, semi‑stencil, square curves.
A geometric, monoline sans with a squared skeleton and softened corners, built from straight runs and broad-radius arcs. Many forms feature deliberate openings and notched joins that create a semi‑stencil feel, with terminals that often end in flat cuts rather than tapered strokes. Counters tend toward squared bowls (notably in D/O/Q and 0/8/9), and several glyphs use asymmetric cut-ins that add motion while keeping a consistent stroke rhythm. Overall spacing reads even in text, while individual letters show distinctive constructions (especially S, G, Q, and the diagonals in K/X/Y) that emphasize a modular, engineered look.
Best suited to display roles where its distinctive constructions are an asset—headlines, posters, branding marks, album/game titles, and interface or HUD-style graphics. It can work for short bursts of text or captions where a futuristic/industrial tone is desired, but its nonstandard details are most effective at larger sizes.
The tone is contemporary and tech-forward with a clear retro-futurist undercurrent—more “interface” and “machine label” than neutral UI. Its cut-out details and squared curves suggest electronics, sci‑fi titling, and industrial design, giving it a confident, synthetic personality that stands out quickly.
The design appears intended to deliver a recognizable, engineered sans for sci‑fi and technology contexts, using modular geometry, squared counters, and strategic openings to differentiate common shapes while preserving a steady, monoline rhythm.
The character set shown mixes conventional proportions with intentionally unconventional details: several lowercase forms lean toward single-storey simplicity, and some numerals and capitals echo each other closely, reinforcing a systemized, constructed aesthetic. The stylization is consistent across cases, which helps the font feel coherent even with its atypical letterforms.