Hollow Other Ofji 4 is a regular weight, normal width, medium contrast, upright, normal x-height font.
Keywords: posters, headlines, signage, packaging, event promo, playful, marquee, retro, decorative, theatrical, ornamentation, attention, nostalgia, dotted, rounded, sans-serif, stencil-like, outlined.
A bold, rounded sans-serif letterform is rendered as a hollow outline with consistent stroke thickness and soft, circular terminals. The outline is punctuated by evenly spaced circular knockouts that run along stems and curves, producing a dotted, perforated rhythm while preserving clear outer contours. Curves are smooth and generously rounded, and joins remain sturdy, giving the alphabet a friendly, high-contrast silhouette against the interior cutouts. Numerals and punctuation follow the same perforated-outline treatment, maintaining strong visual consistency across the set.
Best suited to display settings such as posters, event promotions, headlines, and signage where the perforated outline can read crisply. It can also add a distinctive, retro show-card flavor to packaging, labels, and short branding phrases when used at moderate-to-large sizes.
The repeated circular perforations evoke marquee bulbs, pin-perforation, and craft-cut signage, giving the font a showy, upbeat character. It reads as nostalgic and stage-ready, with a lighthearted, decorative energy that feels suited to display and attention-grabbing messaging rather than quiet, utilitarian text.
The design appears intended to merge a friendly rounded sans structure with an ornamental, perforated interior texture, creating a memorable silhouette that signals entertainment and novelty. Its consistent dot rhythm suggests a deliberate focus on patterned decoration while keeping letter recognition straightforward.
The perforation pattern is dense enough to become a key texture at smaller sizes, so the design’s impact is strongest when the counters and dots have room to breathe. In longer passages, the dotted interior creates an active surface that can dominate the page, making it best treated as a stylistic voice rather than a neutral workhorse.