Sans Superellipse Igpy 14 is a very bold, wide, medium contrast, upright, tall x-height font visually similar to 'Heading Now' by Zetafonts (names referenced only for comparison).
Keywords: posters, headlines, logos, packaging, sports branding, punchy, playful, friendly, retro, sporty, impact, legibility, modernity, approachability, branding, geometric, rounded, bulky, compact, blocky.
A heavy, geometric sans with rounded-rectangle (superellipse) construction and broadly squared curves. Strokes are consistently thick with minimal contrast, and terminals are blunt with softened corners, producing dense, sturdy silhouettes. Counters are compact and often squarish, and the lowercase shows a single-storey “a” and “g” with large, simple bowls. Overall spacing and proportions favor solid, poster-like blocks of black with clear, high-impact lettershapes.
Best suited for headlines, posters, and branding where maximum impact is needed quickly. It works well on packaging, badges, and label-style layouts that benefit from chunky, rounded geometry. Use with generous size and breathing room, as the dense stroke weight and compact counters can feel heavy in extended passages.
The tone is loud and upbeat, with a toy-like softness that keeps the weight from feeling aggressive. Its chunky geometry reads as contemporary and digital, while also evoking retro signage and athletic branding. The rounded corners and compact counters add friendliness and approachability to an otherwise assertive presence.
The design appears intended to deliver strong, instantly legible display typography with a rounded, geometric personality. Its superellipse-based forms and blunt terminals prioritize bold presence, consistency, and a modern, friendly feel suitable for branding-forward applications.
Round letters like O/C/G lean toward squared curves, and joins are smooth and robust, which helps maintain a consistent rhythm at large sizes. The numerals follow the same compact, blocky logic, emphasizing bold readability over delicacy. In longer text, the dense color and tight internal spaces make it feel more like a display face than a text workhorse.