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Sans Normal Kygat 1 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'FS Me' and 'FS Me Paneuropean' by Fontsmith; 'Interval Sans Pro' by Mostardesign; 'Akwe Pro' by ROHH; and 'Fuse V.2', 'Fuse V.2 Printed', and 'Gardenia' by W Type Foundry (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, sportswear, sporty, energetic, friendly, modern, punchy, impact, motion, headline voice, approachability, rounded, oblique, compact, chunky, soft corners.


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A heavy, oblique sans with rounded terminals and smoothly curved joins that keep the forms compact and cohesive. Strokes are thick and largely uniform, with broad curves in letters like C, G, O, and S and slightly tightened counters that boost density at display sizes. The italic angle is pronounced but stable across the set, and the overall rhythm is built from sturdy verticals, simplified diagonals, and generous rounding rather than sharp corners. Numerals follow the same soft, bold construction, reading as solid, high-impact figures with consistent weight and slant.

Best suited to headlines and short blocks of copy where a strong, energetic voice is desired. It works well for branding systems that need a bold, modern sans with a sense of motion, as well as packaging and promotional graphics that rely on quick visual impact. In digital interfaces, it’s most effective for hero text, banners, and callouts rather than long-form reading.

The font conveys an energetic, sporty confidence with a friendly, approachable softness. Its strong forward slant suggests motion and momentum, while the rounded shapes keep the tone upbeat rather than aggressive. Overall it feels contemporary and attention-grabbing, suited to bold messaging that needs to feel lively and accessible.

This design appears intended to deliver maximum impact through a dense, rounded, forward-leaning silhouette. The combination of heavy weight, smooth terminals, and a consistent slant suggests a focus on dynamic display typography that remains friendly and legible at large sizes.

Uppercase forms are broad and sturdy, while lowercase shapes stay compact and robust, producing a dense texture in paragraphs. The design emphasizes smooth curves and simplified details, which helps maintain clarity at larger sizes and gives headlines a unified, blocky presence. The consistent oblique construction makes it especially effective when set with ample tracking or in short, emphatic lines.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸