Sans Faceted Beda 1 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Kensmark' by BoxTube Labs, 'FX Gerundal' by Differentialtype, 'Masheen' by Ingrimayne Type, 'Eckhardt Poster Display JNL' by Jeff Levine, and 'Midfield' by Kreuk Type Foundry (names referenced only for comparison).
Keywords: headlines, posters, logos, sports branding, gaming ui, industrial, futuristic, arcade, sporty, assertive, impact, mechanized feel, geometric clarity, brand voice, angular, beveled, octagonal, stencil-like, compact.
A heavy, all-caps-forward display sans built from straight strokes and clipped corners, replacing curves with chamfered, faceted joins. Forms tend toward octagonal silhouettes with consistent stroke weight and minimal contrast, producing dense counters and a compact internal rhythm. The lowercase echoes the uppercase structure rather than introducing calligraphic traits, and the numerals follow the same cut-corner logic, staying blocky and highly geometric. Terminals are mostly flat with occasional notches and stepped cut-ins that add a mechanical, constructed feel.
Well suited to headlines, posters, packaging callouts, team or event branding, and logo wordmarks where the angular construction can carry personality. It also fits interface labels and splash screens for games or tech products, especially when set large for maximum clarity of the cut-corner details.
The overall tone is bold and utilitarian, with a tech-and-hardware attitude that reads tough, competitive, and slightly retro-digital. Its faceted geometry suggests engineered surfaces and signage systems, giving it an energetic, game-like punch without becoming playful or handwritten.
The design appears intended to translate a rugged, machined geometry into an all-purpose display alphabet: consistent, modular letterbuilding with faceted corners for a distinctive, industrial edge while keeping shapes simple enough for bold messaging.
At text sizes the tight counters and frequent corner cuts create a strong texture and a slightly “stenciled” impression, so it performs best when given generous size and spacing. The sharp corners and uniform weight make it particularly striking in high-contrast applications and short bursts of copy.