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Sans Normal Orrak 16 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Alamia' by Ani Dimitrova, 'FS Albert Paneuropean' by Fontsmith, 'TheSans' by LucasFonts, 'Belle Sans' by Park Street Studio, and 'Klein' by Zetafonts (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, confident, modern, friendly, lively, punchy, display impact, clear branding, bold legibility, contemporary tone, geometric, rounded, compact, sturdy, clean.


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A heavy, geometric sans with sturdy, low-modulation strokes and broadly rounded curves. Counters are generous for the weight, with clear internal space in letters like O, P, and e, helping the forms stay open at display sizes. Terminals are mostly flat and clean, while joins are crisp, giving the design a solid, engineered feel. The lowercase shows a single-storey a and g, compact shoulders, and a straightforward, contemporary construction; numerals are similarly robust with simple, readable shapes.

Best suited to bold headlines, posters, and brand marks where strong impact and quick recognition are key. It also works well for packaging and signage that benefits from sturdy, rounded letterforms and a clean contemporary voice. For extended body text, it will be most effective when set with ample size and spacing to avoid a heavy overall color.

The overall tone is assertive and energetic, with a friendly approachability coming from the rounded geometry and open counters. It reads as contemporary and uncomplicated, projecting clarity and confidence rather than delicacy or formality.

The design appears intended as a modern, high-impact sans for display use, balancing geometric clarity with friendly rounding. Its consistent curves and open counters suggest a focus on legibility at large sizes and a versatile, brand-ready personality.

Round letters (O, C, G, Q) feel especially circular and consistent, creating an even rhythm in headings. The diagonal-heavy letters (K, V, W, X, Y) are strong and stable, and the dot on i/j appears prominent, reinforcing the bold, high-impact texture. At smaller sizes the dense weight may dominate, but at large sizes it delivers strong presence and clear silhouettes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸