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Inline Jevy 5 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Copperplate New' by Caron twice (names referenced only for comparison).

Keywords: headlines, posters, logos, packaging, signage, retro, playful, bold, graphic, display impact, retro styling, decorative texture, branding, layered, striped, blocky, rounded, shadowed.


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A heavy, blocky sans with rounded corners and a consistent inline cut that runs through the strokes, creating a layered, carved look. The letterforms lean on simple geometric construction: broad verticals, open apertures, and smooth curves on C/G/O/Q, with mostly flat terminals. The inline detailing is generally parallel to the outer contour, producing a multi-stripe effect that stays readable at display sizes while adding texture. Numerals are wide and punchy with the same internal striping, and the overall spacing feels generous enough to keep counters from collapsing under the ornament.

Best suited to display settings such as headlines, posters, event graphics, logos, and packaging where the inline detail can be appreciated. It also works well for short emphatic text on signage or social graphics, especially when a retro, high-impact look is desired.

The inline carving gives the face a throwback, poster-ready energy—somewhere between classic sign painting, arcade-era graphics, and bold packaging typography. It feels confident and attention-seeking, with a decorative rhythm that reads as fun and slightly theatrical rather than formal.

The type appears designed to deliver maximum impact through a solid, simplified skeleton, then add character via an inline carve that suggests dimensionality and motion. The goal seems to be a friendly, highly recognizable display face that remains legible while offering built-in ornamentation for branding and titling.

The design relies on strong silhouette first, with the inline acting as a secondary graphic layer; this makes it particularly sensitive to very small sizes where the inner stripes may begin to visually merge. The lowercase maintains the same display-forward personality, with single-storey forms and rounded joins that keep the texture consistent across words.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸