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Free for Commercial Use

Distressed Megi 2 is a regular weight, normal width, high contrast, upright, short x-height font.

Keywords: posters, album art, book covers, title cards, editorial display, gritty, raw, industrial, noisy, underground, aged print, grunge texture, analog noise, typewriter effect, rough stamping, eroded, blotchy, roughened, inked, speckled.


Free for commercial use
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A monospaced, typewriter-like design with heavy erosion throughout the strokes, producing broken contours and peppered counters. Letterforms are built from sturdy verticals and simple, squared construction, but the edges dissolve into irregular blobs and gaps as if over-inked and worn. The rhythm is steady and mechanical, while the texture varies from glyph to glyph, giving an intentionally unstable print impression. Numerals and capitals keep a rigid stance, and lowercase forms remain compact with a low, short-bodied look.

Best suited to short display settings where texture is a feature: posters, zines, album artwork, book covers, title treatments, and gritty branding. It can also work for props or environment graphics (labels, dossiers, warnings) when a degraded print effect is desired; avoid dense body copy where the erosion reduces legibility.

The font conveys a gritty, utilitarian tone—like weathered labeling, photocopied documents, or stamped markings that have degraded over time. Its rough texture adds tension and urgency, reading as raw, analog, and slightly menacing rather than polished or refined.

Likely intended to mimic worn mechanical printing—typewriter or monospaced copy that has been repeatedly duplicated, stamped, or distressed by age and ink bleed. The design prioritizes atmosphere and tactile noise while keeping a straightforward, readable underlying structure.

The distressing is pervasive and high-frequency, affecting both outer silhouettes and interior counters, so small sizes can fill in or break apart quickly. The overall geometry stays recognizable and typewriter-adjacent, making the texture the primary stylistic voice rather than extreme letterform experimentation.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸