Sans Superellipse Geres 1 is a very bold, narrow, medium contrast, italic, tall x-height font visually similar to 'Acumin' by Adobe, 'Pariphoom' by Jipatype, 'Verbatim' by Monotype, 'Ordax' by The Northern Block, 'Nimbus Sans L' by URW Type Foundry, and 'Queency' by Vampstudio (names referenced only for comparison).
Keywords: headlines, posters, sports branding, apparel, packaging, sporty, assertive, energetic, modern, punchy, space saving, headline impact, speed emphasis, brand presence, condensed, oblique, industrial, compact, angular.
A heavy, condensed sans with a pronounced rightward slant and compact proportions. Forms are built from rounded-rectangle geometry with flattened curves and squared terminals softened by radiused corners, creating a blocky but smooth silhouette. Strokes are thick and steady with modest modulation, and counters are tight, producing dense, high-impact lettershapes. The overall rhythm is fast and forward-leaning, with short joins and sturdy stems that keep the texture dark and cohesive in words and numerals.
Best suited to short, high-impact settings such as headlines, posters, sports identities, team graphics, and bold packaging or apparel marks. It can also work for attention-grabbing UI labels or promo copy where a condensed, forward-leaning emphasis is desired, rather than for small text or long-form reading.
The font conveys speed, force, and confidence, with a distinctly athletic, action-oriented tone. Its slanted stance and compact massing feel competitive and contemporary, leaning toward a rugged, utilitarian voice rather than refined elegance.
The design appears intended to deliver maximum impact in minimal horizontal space while signaling motion and intensity. By combining condensed proportions, an oblique stance, and rounded-rectangular construction, it aims for a modern, athletic display voice that stays cohesive across uppercase, lowercase, and figures.
Uppercase characters read as engineered and compact, while the lowercase maintains the same compressed, heavy construction for consistent color. Numerals are similarly weighty and narrow, matching the headline-centric feel. The tight apertures and dense counters suggest it will look best with generous tracking and ample line spacing when set in longer phrases.