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Free for Commercial Use

Sans Superellipse Gelum 11 is a very bold, narrow, medium contrast, italic, tall x-height font visually similar to 'CF Blast Gothic' by Fonts.GR, 'Etrusco Now' by Italiantype, 'Gallinari' by Jehoo Creative, and 'Anafiola' by Sensatype Studio (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, app headers, sporty, urgent, assertive, dynamic, industrial, impact, compression, motion, modernization, branding, condensed, slanted, heavy, compact, rounded.


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A heavily weighted, right-slanted sans with compact, condensed proportions and a strong forward rhythm. Curves are built from rounded, squarish bowls and soft corners, giving round letters a superelliptical feel rather than a purely circular one. Strokes stay broadly even with subtle modulation, and counters are relatively tight, emphasizing density and impact. Terminals are clean and mostly blunt, with occasional angled cuts that reinforce the italic motion; numerals match the same chunky, compact silhouette.

Best suited for headlines, posters, and high-impact display settings where compact width and strong emphasis are desirable. It works well for sports and fitness branding, event promotions, packaging callouts, and bold UI headers where a forward-leaning, energetic tone helps guide attention. For longer text, it is likely most effective in short bursts such as banners, labels, and pull quotes.

The overall tone is forceful and energetic, with a fast, performance-oriented feel. Its dense massing and pronounced slant read as sporty and promotional, suited to messaging that needs to look loud and decisive. The rounded geometry keeps it from feeling sharp or aggressive in a hostile way, leaning more toward contemporary industrial confidence.

The design appears intended to deliver maximum impact in a compressed footprint while retaining smooth, rounded geometry for a modern, manufactured look. The strong slant and dense color suggest a focus on speed, emphasis, and brand presence in display typography.

The glyphs maintain consistent width discipline and spacing, creating a cohesive, blocky texture in lines of text. Lowercase forms appear sturdy and simplified, and the figures are bold and attention-grabbing, supporting signage-like clarity at larger sizes. The italic angle is strong enough to create motion even in short words and acronyms.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸