Serif Normal Onsa 6 is a bold, wide, high contrast, upright, normal x-height font visually similar to 'FF Kievit Serif' by FontFont, 'ITC New Baskerville' by ITC, 'Frenchute' by Tipo Pèpel, 'PS Fournier Std' by Typofonderie, and 'Janson' by URW Type Foundry (names referenced only for comparison).
Keywords: headlines, editorial, book text, packaging, posters, robust, traditional, confident, bookish, classic readability, strong presence, print-first, bracketed, ball terminals, oldstyle, soft-shouldered, rounded serifs.
A robust serif with pronounced contrast and generously rounded, bracketed serifs that give strokes a cushioned, sculpted feel. The letterforms show a traditional, oldstyle-like construction with soft joins, modestly cupped terminals, and ball terminals in places (notably on forms like the lowercase a). Counters are open and round, with a steady, slightly expanded set that reads comfortably at display and text sizes. Numerals follow the same sturdy rhythm, with curving forms and strong weight distribution that keeps figures clear and dark on the page.
Well-suited to editorial design where strong, traditional serif presence is desired—magazine headlines, book titling, and section heads in print or web. The substantial weight and rounded bracketing also work well for packaging and poster typography that needs a confident, classic tone with good legibility.
The overall tone feels classic and authoritative, with an editorial gravitas that recalls printed pages and formal headings. Its soft bracketing and rounded terminals temper the weight, adding warmth and approachability rather than a purely severe or modern voice.
The design appears intended to deliver a familiar, print-centric serif voice with strong color on the page, pairing traditional proportions with softened details for a friendly but authoritative presence.
Diagonal strokes (as in V, W, X, Y) are broad and stable, contributing to a solid, planted texture. The lowercase shows a compact, readable silhouette with clear differentiation between similar shapes (e.g., i/j dots and the distinct tail on q), supporting longer passages without looking brittle.