Sans Superellipse Ornuy 4 is a very bold, narrow, medium contrast, upright, normal x-height font visually similar to 'Deluge' by Artiveko, 'Godiva' by Suby Studio, and 'Delgos' by Typebae (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, industrial, retro, assertive, condensed, functional, space saving, high impact, signage clarity, modular geometry, display emphasis, blocky, rounded corners, compact, monoline.
This typeface is built from compact, vertical proportions and heavy, near-monoline strokes. Curves are formed with rounded-rectangle (superellipse-like) geometry, giving bowls and counters a squared-off softness rather than true circularity. Terminals are predominantly flat with gentle rounding, and joins stay sturdy and simplified, producing a clean, engineered rhythm. The lowercase is straightforward and compact, with single-storey forms where visible and tight internal counters; numerals follow the same squared, rounded-corner construction for a consistent texture.
Best suited for headlines and short-form display settings where compact width and strong stroke weight are an advantage. It can work well in posters, bold branding wordmarks, packaging panels, and signage that benefits from a condensed footprint and sturdy letterforms. For long passages, the dense texture suggests using generous leading or larger sizes.
The overall tone feels industrial and retro, with a confident, no-nonsense presence. Its narrow stance and blocky curves suggest utilitarian signage and headline typography, while the rounded corners keep it from feeling harsh. The result is bold and assertive, with a slightly vintage, display-forward character.
The design appears intended to deliver maximum impact in limited horizontal space while maintaining a friendly, engineered smoothness through rounded-rectangle curves. Its simplified construction prioritizes clarity and consistency, aiming for a strong display voice that remains orderly and legible at a glance.
Spacing in the samples reads tight and efficient, creating a dense typographic color that holds together well at large sizes. The rounded-rectangle construction is especially evident in letters with bowls and in the numerals, reinforcing a coherent, modular look.