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Sans Faceted Abris 6 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Cybersport' by Anton Kokoshka, 'Bio Sans' and 'Bio Sans Soft' by Dharma Type, and 'Nudista' by Suitcase Type Foundry (names referenced only for comparison).

Keywords: posters, headlines, sports branding, logos, signage, industrial, athletic, assertive, techno, utility, impact, ruggedness, modernity, machined look, brand presence, faceted, angular, blocky, geometric, condensed details.

A heavy, geometric sans with planar, faceted shaping that replaces most curves with clipped corners and straight segments. Strokes are uniform and dense, with squared terminals and compact internal counters that read as rectangular cutouts in letters like B, D, O, and P. The uppercase is broad and poster-like, while the lowercase keeps a sturdy, constructed feel with simplified bowls and short ascenders/descenders, producing an even, blocky rhythm. Numerals follow the same chiseled geometry, with hard corners and sturdy proportions that maintain clarity at large sizes.

Best suited to display work such as headlines, posters, packaging callouts, team or athletic identity, and bold signage where the faceted construction can be appreciated. It also works well for short UI labels or section headers when a rugged, technical voice is desired, especially with a bit of added spacing.

The overall tone is tough, mechanical, and assertive, evoking signage, equipment labeling, and sports or performance branding. Its sharp facets and heavy massing give it a techno-industrial edge that feels energetic and unapologetically bold.

The design appears intended to deliver maximum impact through dense color and a machined, faceted geometry that stays legible in big type. It prioritizes a constructed, industrial personality over soft curves, aiming for strong brand presence and durable, signage-like readability.

Counters tend to be tight and squared-off, so the face looks darkest in text settings and benefits from generous tracking and line spacing. Diagonals (A, K, V, W, X, Y) are crisply cut and contribute to a strong, engineered texture across words.