Hollow Other Upti 1 is a bold, wide, high contrast, upright, normal x-height font visually similar to 'Belle Sans' by Park Street Studio (names referenced only for comparison).
Keywords: posters, headlines, logos, packaging, event graphics, industrial, techy, punchy, retro, edgy, display impact, textured voice, stencil cue, brand signature, stencil, cutout, blocky, geometric, angular.
A heavy, block-like serif design with strong vertical stress and crisp, squared terminals. The letterforms are built from dense strokes that are interrupted by consistent horizontal knockouts, creating a banded, cut-through effect across bowls, counters, and stems. Curves (C, G, O, S, 0, 8, 9) stay fairly geometric and compact, while serifs are short and sturdy, giving the face a stable, poster-ready silhouette. Spacing appears generous at display sizes, and the cutouts introduce a rhythmic striping that remains legible while adding texture.
Well suited for headlines, posters, and branding where a distinctive, textured voice is desired. It can work effectively on packaging and event graphics, and as a logo or wordmark style where the cutout bands become a recognizable signature. In paragraphs, the striping effect may be visually busy, so it performs best at larger sizes and with ample whitespace.
The repeated cutaway bands give the font a mechanical, engineered feel—part stencil, part signage—while the chunky serifs keep it grounded and authoritative. It reads as bold and attention-seeking, with a slightly retro-industrial character that can feel both utilitarian and stylized.
The design appears intended to combine classic slab-like sturdiness with a modern cutout treatment, producing a display face that feels engineered and memorable. The consistent banding suggests a deliberate emphasis on texture and impact, echoing stencil and industrial signage cues while remaining typographically structured.
The knockout bands vary with the internal structure of each glyph, so the texture feels integrated rather than purely decorative. In longer lines, the horizontal breaks create a strong visual cadence that can dominate the page, making it best treated as a feature style rather than a neutral text face.