Sans Superellipse Kujo 6 is a very bold, very wide, low contrast, upright, normal x-height font visually similar to 'Square 721' by Bitstream, 'Bantat' by Jipatype, 'Eurostile Candy' by Linotype, 'Bi Bi' by Naghi Naghachian, and 'Eurostile Round' by URW Type Foundry (names referenced only for comparison).
Keywords: logotypes, headlines, posters, ui display, packaging, futuristic, tech, industrial, playful, sporty, impact, modernity, branding, interface, sci‑fi, rounded, squarish, geometric, chunky, soft corners.
A heavy, geometric sans built from rounded-rectangle and superellipse forms, with broad proportions and compact internal counters. Strokes are monolinear and blunt-ended, with generously rounded outer corners and consistent radiusing across curves and joins. The overall rhythm is wide and stable, with squared-off rounds (O, C, G) and simplified diagonals that keep terminals smooth rather than sharp. Numerals and lowercase follow the same boxy, softened construction, producing a cohesive, highly uniform texture in text.
Best suited for branding, logotypes, and large-scale headlines where its wide, rounded-square geometry can be a defining visual asset. It also fits interface titles, game/tech graphics, and packaging that benefits from a bold, friendly-industrial voice. For longer text, it will work most comfortably at larger sizes and with generous spacing due to its dense counters and heavy color.
The softened square geometry reads as modern and engineered, suggesting technology, transportation, and sci‑fi interfaces. At the same time, the rounded corners and inflated shapes add a friendly, toy-like warmth that keeps it from feeling harsh or clinical. The tone lands between industrial strength and playful futurism.
The design appears intended to deliver maximum impact through a modular, softened-rectangular skeleton—combining the authority of a blocky display sans with approachable rounded corners. Its consistent radiusing and simplified forms suggest an aim for strong recognizability across signage, screens, and brand marks.
Counters tend to be small relative to the thick strokes, giving the face a dense, logo-like presence. The rounded-square construction is especially apparent in bowls and apertures, which stay controlled and symmetrical, reinforcing a modular, systemized feel.