Sans Contrasted Fyho 11 is a very bold, very wide, medium contrast, italic, normal x-height font.
Keywords: sports branding, racing titles, esports, posters, headlines, racing, aggressive, futuristic, sporty, industrial, impact, speed, technical, branding, energy, oblique, angular, squared, cutout, compact.
A heavy, forward-leaning display sans built from compact, angular forms with squared corners and frequent diagonal cuts. Counters are small and often rectangular, and several glyphs use stencil-like breaks or inset notches that create a segmented, engineered look. Stroke endings are sharply sheared, with a consistent rightward slant and a low-curve, mostly straight-sided geometry that keeps the rhythm tight and mechanical. Numerals and capitals share the same blocky construction, producing a dense, high-impact texture in lines of text.
Best suited for punchy display settings such as sports identities, racing-themed graphics, esports team marks, event posters, and high-energy headlines. It also works for short UI labels or product naming when a technical, performance-oriented voice is desired, but it is less appropriate for long-form reading due to its dense counters and aggressive detailing.
The overall tone is fast and assertive, evoking motorsport and performance branding through its slanted stance and hard-edged silhouettes. The clipped shapes and cut-in details add a technical, tactical flavor that reads as modern and slightly militant. It feels designed to signal speed, strength, and competitive energy rather than softness or nuance.
The design appears intended to deliver maximum visual impact with a streamlined, speed-driven silhouette. Its sheared terminals, squared construction, and engineered cutouts suggest a goal of combining bold presence with a technical motif that stays coherent across uppercase, lowercase, and numerals.
The distinctive internal cut lines and notched joins are most noticeable in letters like S, Z, and several rounded forms, where the breaks create a sense of motion and reduce mass without becoming fully stencil. Tight internal spaces and sharp joins mean it performs best when given breathing room at larger sizes, especially in longer phrases.