Sans Superellipse Felat 3 is a bold, narrow, medium contrast, italic, normal x-height font visually similar to 'Adversary BB' by Blambot, 'Neusa Neu' by Inhouse Type, 'Neue Helvetica' and 'Neue Helvetica Paneuropean' by Linotype, and 'Nimbus Sans Novus' by URW Type Foundry (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, signage, sporty, dynamic, confident, industrial, modern, impact, speed, modernity, compactness, branding, condensed, oblique, rounded, compact, punchy.
A compact, right-leaning sans with thick, even strokes and softened corners that keep the forms feeling smooth despite the heavy weight. Proportions are tightly condensed with tall caps and a relatively restrained x-height, creating a vertical, energetic rhythm. Curves read as superelliptical—rounded-rectangle bowls and counters—while joins and terminals are clean and minimally detailed. The numerals and punctuation follow the same sturdy, streamlined construction, with strong silhouettes that hold up well at display sizes.
Best suited to headlines, posters, and short bursts of copy where the condensed, slanted forms can read as intentional and impactful. It works well for sports or performance branding, event graphics, packaging callouts, and signage that needs a strong, modern presence. For longer passages, its density and forward slant suggest using larger sizes and generous line spacing.
The overall tone is assertive and kinetic, with a forward-leaning posture that suggests speed and momentum. Rounded geometry tempers the aggression of the weight, keeping the voice contemporary and approachable rather than harsh. It projects confidence and performance-oriented energy.
The design appears intended as a high-impact, forward-leaning display sans that combines condensed efficiency with rounded, modern geometry. It prioritizes strong word shapes and a sense of motion, aiming for a contemporary voice that feels both sturdy and fast.
Spacing and sidebearings appear tuned for tight, headline-oriented setting, producing dense word shapes with clear, high-contrast silhouettes against the page. The italics are driven more by a consistent slant than by calligraphic modulation, reinforcing a mechanical, engineered feel.