Sans Superellipse Fegeg 5 is a very bold, narrow, monoline, italic, normal x-height font visually similar to 'Acumin' by Adobe, 'Bokeseni' by AukimVisuel, 'Hilumion Sans' by Brainwaves Studio, 'Karepe FX' by Differentialtype, 'Play Acting JNL' by Jeff Levine, and 'Gravitas' by Studio K (names referenced only for comparison).
Keywords: headlines, posters, branding, sports, sporty, urgent, confident, retro, impact, motion, space-saving, display, condensed, slanted, rounded, soft-cornered, compact.
A heavy, condensed sans with a pronounced rightward slant and tightly controlled proportions. Strokes stay largely uniform, producing dense, blocky silhouettes, while corners are broadly rounded into superellipse-like curves that soften the mass. Counters are compact and often vertically oriented, giving letters a tall, compressed rhythm and strong columnar texture. Numerals and capitals share the same compact width and forward-leaning stance, creating a consistent, high-impact line of type.
Best suited to short, bold settings where impact and speed are desired: headlines, posters, event promos, sports and automotive-themed graphics, and brand marks or packaging that benefits from a compact, forward-driving word shape. It can also work for subheads and callouts when generous tracking and leading are available.
The overall tone is fast and assertive, with a distinctly sporty, poster-like energy. The combination of condensed width, strong slant, and rounded corners feels both retro and contemporary—suggesting motion, urgency, and confident emphasis without becoming sharp or aggressive.
Designed to deliver maximum emphasis in limited horizontal space, combining a condensed build with a strong slant to imply movement. Rounded superellipse geometry appears intended to keep the weight feeling modern and approachable while preserving a solid, high-contrast presence at display sizes.
The font maintains strong visual cohesion across cases, with rounded terminals and small apertures that favor bold presence over airy readability. The oblique angle is steady and the shapes feel engineered and streamlined, making word shapes appear tightly packed and directional.