Sans Superellipse Gerut 11 is a very bold, narrow, low contrast, italic, normal x-height font visually similar to 'Morgan Poster' by Feliciano, 'MGT American Copper' by Magetype, 'Sans Beam' by Stawix, 'Huberica' by The Native Saint Club, and 'Leverkusen' by Trequartista Studio (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, title cards, sporty, retro, dynamic, punchy, industrial, impact, speed, space saving, branding, signage, rounded corners, squared curves, oblique, compact, blocky.
A compact, oblique sans with heavy, low-contrast strokes and a tight footprint. Curves are built from rounded-rectangle geometry: bowls, counters, and terminals favor squared-off arcs and softened corners rather than true circles. Joins are sturdy and minimally detailed, producing a solid, poster-like texture, while apertures tend to be more enclosed and counters relatively small. The overall rhythm is energetic and forward-leaning, with consistent, blunt terminals and a slightly compressed, athletic stance across letters and figures.
Best suited for headlines and short-form display typography where bold, forward motion is desirable—sports branding, event graphics, posters, packaging callouts, and title cards. It can also work for logos or wordmarks that need a compact, high-impact silhouette, especially in limited space.
The tone is assertive and kinetic, reading as sporty and action-oriented with a distinctly retro display flavor. Its chunky superelliptical shapes and slanted momentum suggest speed, impact, and engineered toughness rather than delicacy or calm.
The design appears intended to deliver maximum impact in a narrow footprint, combining a slanted, high-energy posture with rounded-rectilinear forms for a modern-retro, industrial feel. It prioritizes strong silhouettes and consistent mass for attention-grabbing display use.
Uppercase forms feel especially compact and sign-like, while lowercase maintains the same blocky logic with simplified structures and short extenders. Numerals match the letterforms in mass and corner treatment, supporting a uniform, headline-friendly voice. The dense color and tight internal spaces favor larger sizes where the rounded-square detailing is most apparent.