Sans Faceted Asda 5 is a very bold, normal width, monoline, upright, tall x-height font visually similar to 'Gainsborough' by Fenotype, '3x5' and 'Block Capitals' by K-Type, and 'Neue Northwest' by Kaligra.co (names referenced only for comparison).
Keywords: posters, headlines, logotypes, packaging, sports branding, industrial, sporty, tough, playful, arcade, high impact, rugged tone, modern display, geometric identity, distinct silhouettes, angular, blocky, chiseled, geometric, stencil-like.
A heavy, angular display sans built from straight strokes and clipped corners, replacing curves with crisp planar facets. Counters are mostly rectangular or sharply notched, and joins favor hard angles over smooth transitions, giving the letterforms a chiseled, cut-paper feel. The rhythm is compact and upright, with tight interior spaces in letters like B, P, and R, and a sturdy baseline presence. Numerals follow the same faceted logic, with squared bowls and abrupt terminals that keep the set visually uniform in headings and short bursts of text.
Best suited for posters, headlines, logos, and packaging where strong silhouette and high contrast against the background are key. It can also work for sports branding, event graphics, and arcade- or tech-leaning titles, especially when set with generous tracking or used in short phrases rather than dense paragraphs.
The overall tone feels tough and mechanical, with an energetic, game-like edge. Its sharp geometry reads as assertive and contemporary, suggesting rugged utility while still leaning into a playful, stylized aggression typical of sports, arcade, and action-oriented branding.
The design appears intended to deliver maximum impact through bold massing and a faceted, industrial construction, trading smooth readability for distinctive shape. By using clipped corners and squared counters, it aims to feel modern, tough, and instantly recognizable in display settings.
The face maintains a consistent stroke thickness and relies on strategic corner cuts and notches to differentiate forms, which increases impact at larger sizes. Some glyphs introduce slight asymmetries and angled diagonals (notably in K, V, W, and X), adding motion and a hand-cut character without breaking the rigid geometric system.