Sans Superellipse Orgaw 3 is a very bold, very narrow, low contrast, upright, normal x-height font visually similar to 'XXII DONT MESS WITH VIKINGS' by Doubletwo Studios, 'Sansmatica' by Fontop, and 'Kuunari' and 'Kuunari Rounded' by Melvastype (names referenced only for comparison).
Keywords: posters, headlines, sports branding, packaging, signage, industrial, condensed, authoritative, sporty, headline, space-saving, high impact, modern utility, bold branding, blocky, squarish, compact, monoline.
A compact, heavy display sans with tightly packed proportions and a strongly vertical stance. Letterforms are built from rounded-rectangle geometry with softened corners and mostly uniform stroke weight, producing dense counters and a solid typographic color. Curves in characters like C, O, S, and G read as squarish superellipses rather than true circles, while joins stay clean and mechanical. The lowercase is sturdy and simplified, with short extenders and a single-storey a; numerals and punctuation match the same condensed, block-forward construction for consistent texture in text.
Best suited to short, high-impact settings such as posters, headlines, title cards, sports graphics, and bold packaging. It can also work for signage or labels where condensed width and strong presence help maximize content in limited space, especially when given generous tracking or leading.
The overall tone feels forceful and industrial, with a no-nonsense compactness that suggests strength and urgency. Its squared curves and tight rhythm lend a utilitarian, engineered vibe that also fits contemporary sports and action-oriented branding.
The design appears intended to deliver maximum impact in a condensed footprint, using rounded-rectangle construction to keep the tone modern, tough, and highly legible at display sizes. The consistent stroke and simplified shapes prioritize punchy rhythm and efficient space usage over delicate detail.
Because the apertures and counters are relatively tight, the face builds a strong, dark mass at size; spacing and line height become important to keep longer phrases from feeling cramped. The squarish round forms create a distinctive voice that remains consistent across caps, lowercase, and figures.