Sans Faceted Rabi 8 is a regular weight, normal width, monoline, upright, normal x-height font.
Keywords: posters, game ui, headlines, logos, album covers, runic, angular, tribal, game-like, mystical, rune inspired, fantasy display, carved look, iconic silhouettes, high impact, geometric, sharp, faceted, chiseled, high-contrast shapes.
A sharply angular, faceted display sans built from straight strokes and triangular joins, with curves largely replaced by planar cuts and pointed corners. Strokes appear largely consistent in thickness, while terminals alternate between blunt cuts and knife-like tips that create strong directional movement. Proportions are compact with a slightly irregular, hand-hewn rhythm; counters are often triangular or diamond-shaped, and several forms use notches and internal wedges to suggest structure rather than smooth bowls. Numerals and uppercase show bold, emblematic silhouettes, while lowercase keeps the same angular vocabulary with simplified, vertical-driven forms.
Best suited for short, high-impact settings such as headlines, posters, fantasy or adventure game UI, and logo/wordmark work where the faceted silhouettes can be appreciated. It can also add character to packaging or event graphics, especially for themes involving mythology, magic, or “crafted” materials like stone and metal.
The overall tone feels rune-like and talismanic, evoking carved stone, metal engraving, and fantasy iconography. Its spiky geometry and glyph-by-glyph idiosyncrasies give it an adventurous, game-title energy with a slightly ominous, arcane edge.
The design intent appears to be creating a readable Latin set that borrows the visual grammar of runes and carved lettering—replacing curves with facets and emphasizing pointed terminals—to deliver a distinctive fantasy/display voice while maintaining familiar letter identities.
The face prioritizes distinctive silhouettes over neutrality: diagonals dominate, and many letters lean on asymmetric cuts and inset shapes that read well at larger sizes but can feel busy in dense text. Spacing and letterfit appear display-oriented, with lively variation between wide angular forms (like M/W) and tighter, spear-like letters.