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Free for Commercial Use

Wacky Niwo 2 is a bold, wide, medium contrast, upright, normal x-height font visually similar to 'ATF Franklin Gothic' by ATF Collection, 'Acumin' by Adobe, 'BB Torsos Pro' by Bold Studio, 'Sixta' by Hoftype, 'Arbeit Pro' by Studio Few, and 'Clobber Grotesk' by Wordshape (names referenced only for comparison).

Keywords: posters, headlines, packaging, album art, stickers, playful, mischievous, handmade, retro, grungy, add texture, create novelty, evoke print, signal playfulness, stand out, roughened, distressed, chunky, soft-cornered, bouncy.


Free for commercial use
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A heavy, soft-edged serif design with rounded corners, compact counters, and gently irregular contours. The strokes show deliberate distressing and scuffed interruptions, creating a worn, stamped texture across many glyphs. Serifs are short and blunt, and the overall construction feels slightly uneven from letter to letter, producing a lively rhythm rather than strict geometric consistency. Figures are similarly weighty and simple, with the same roughened surface treatment for a cohesive display look.

Best suited to short, high-impact text such as posters, headlines, packaging callouts, and bold branding moments where personality is the goal. It can also work well for event promos, album/playlist artwork, and playful merchandise graphics, especially when paired with simpler supporting text.

The overall tone is quirky and mischievous, with a handmade, poster-like energy. Its distressed finish evokes printed ephemera—rubber stamps, screen prints, or aged signage—giving text a playful grit rather than a polished voice.

Likely designed to deliver a bold display voice with an intentionally imperfect, printed texture—prioritizing character and immediacy over typographic neutrality. The aim appears to be a one-off, attention-grabbing look that feels handmade and slightly chaotic while remaining legible at display sizes.

The texture is a prominent part of the design, so letterforms can appear darker and more irregular at small sizes or in dense settings. Spacing and shapes read best when given room, where the scuffs and nicks register as intentional character rather than noise.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸