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Free for Commercial Use

Distressed Obma 2 is a light, narrow, medium contrast, italic, short x-height font.

Keywords: book covers, posters, packaging, headlines, invitations, handmade, rustic, storybook, whimsical, antique, handmade feel, period flavor, expressive display, textured print, calligraphic, textured, wiry, organic, uneven.


Free for commercial use
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A wiry, hand-drawn italic with gently flared stroke ends and subtly irregular contours that read like pen or brush on absorbent paper. Strokes show mild texture and wobble, with occasional thickened joins and tapered terminals that create a lively, imperfect edge. Proportions are compact and somewhat condensed, while letter widths vary noticeably, producing an uneven but intentional rhythm. Counters are open and simplified, and the overall color stays light with a slight, natural baseline and spacing irregularity typical of hand-rendered forms.

Works best for display contexts where texture and personality are desirable—book and album covers, theatrical posters, craft or heritage packaging, and short editorial headlines. It can also suit invitations or menu titles when a hand-inked, old-world voice is needed, but the irregular rhythm may be less suitable for dense body text at small sizes.

The font conveys a rustic, human warmth—more folktale and craft than formal editorial. Its textured marks and narrow, slanted stance suggest something historical or homemade, with a whimsical, slightly mysterious tone that can feel theatrical when set large.

The design appears intended to emulate expressive hand lettering with lightly worn, ink-on-paper texture, balancing legibility with a crafted, timeworn charm. Its slanted construction and tapered terminals aim to suggest calligraphic motion rather than geometric precision.

Uppercase forms lean toward inscriptional, calligraphic gestures with occasional asymmetries, while the lowercase keeps a simple, handwritten structure that remains readable in short runs. Numerals follow the same hand-inked logic, with soft curves and tapering ends, reinforcing the cohesive, imperfect print feel.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸