Sans Other Aslud 3 is a very bold, normal width, monoline, upright, normal x-height font.
Keywords: headlines, posters, logos, packaging, signage, industrial, stencil, retro, modular, display, distinctive texture, stencil effect, brand impact, signage clarity, geometric, cutout, notched, high-contrast, blocky.
A heavy, geometric sans built from simple arcs and straight stems, with consistent stroke thickness and tightly controlled curves. The defining feature is a repeating system of vertical and occasional cross cutouts that split bowls and counters, producing a stencil-like, segmented construction across both capitals and lowercase. Terminals are generally flat and squared, apertures are carved open with deliberate gaps, and round forms (O, C, G, Q, 6, 8, 9) read as near-circular with internal breaks that emphasize symmetry. Spacing and proportions feel compact and sturdy, with distinctive rhythmic interruptions that stay consistent from letter to letter.
Best suited to display settings such as headlines, posters, and branding where the cutout motif can read clearly and contribute to identity. It works well for packaging, event graphics, and signage that benefits from an industrial or retro-modular voice. For longer passages or small sizes, the internal breaks may reduce legibility, so it’s strongest when used in short bursts.
The cutout geometry creates a mechanical, engineered tone that feels industrial and signage-driven. Its bold silhouettes and modular breaks also give it a retro-futurist, Art-Deco-adjacent flavor, balancing playfulness with a utilitarian edge. The overall impression is assertive and graphic, designed to catch attention rather than disappear into body text.
The design appears intended to merge a bold geometric sans foundation with a consistent stencil/cutout system, creating a distinctive texture and recognizable silhouette. By applying the same breaks across letters and numerals, it aims for a cohesive, logo-friendly look that feels engineered and graphic.
The segmented stencil pattern is especially prominent in rounded letters and numerals, where the internal breaks become a strong visual motif. Some forms (notably M/W and the rounded characters) lean toward decorative construction, so readability depends on size and context; it rewards generous sizing and clean, high-contrast reproduction.