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Free for Commercial Use

Sans Normal Murem 8 is a very bold, wide, medium contrast, upright, normal x-height font visually similar to 'Massilia' by Blaze Type, 'FS Koopman' by Fontsmith, 'Passenger Sans' and 'Passenger Sans Cyrillic' by Indian Type Foundry, 'Crique Grotesk' by Stawix, 'Ansage' by Sudtipos, and 'Eastman Grotesque' by Zetafonts (names referenced only for comparison).

Keywords: headlines, posters, packaging, logos, signage, friendly, retro, playful, chunky, confident, impact, approachability, display, brand voice, readable boldness, rounded, soft corners, compact counters, high impact, geometric.


Free for commercial use
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A heavy, rounded sans with broad, blocky proportions and strongly simplified geometry. Curves are smooth and full, while joins and terminals read as softly squared rather than sharply cut, giving the letters a cushioned, substantial feel. Counters tend to be tight and compact in the bowls (notably in forms like B, a, e, and 8), and the overall rhythm favors big silhouettes over fine internal detail. The lowercase shows single-storey constructions (a, g) and a sturdy, uniform stroke presence that keeps color dense in text.

Best suited to display work where maximum presence is needed—headlines, posters, packaging, signage, and branding marks. It can also work for short, bold UI labels or callouts when clarity is needed at a glance, but it is less ideal for long passages due to its dense texture.

The tone is bold and approachable, with a slightly nostalgic, poster-like character. Its rounded, inflated shapes feel friendly and playful while still projecting confidence and weight, making the overall voice more fun and informal than clinical or technical.

Likely designed to deliver a strong, friendly display voice: large rounded forms, simplified details, and consistent weight create immediate impact and easy recognizability. The design prioritizes bold silhouettes and a playful, approachable feel for attention-grabbing typography.

In the sample text the heavy color and compact counters quickly build mass, so spacing and line length become important for comfort at smaller sizes. Numerals are large and highly graphic, matching the letters’ rounded, high-impact construction.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸