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Free for Commercial Use

Sans Normal Vikih 1 is a bold, narrow, low contrast, italic, normal x-height font visually similar to 'Lucifer Sans' by Daniel Brokstad, 'Polin Sans' by Machalski, 'Futura Now' and 'Gill Sans Nova' by Monotype, and 'Goudar HL' by Stawix (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, signage, sporty, dynamic, punchy, modern, confident, impact, speed, space-saving, branding, attention, condensed, slanted, rounded, compact, heavy.


Free for commercial use
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A compact, condensed sans with a pronounced forward slant and heavy, low-contrast strokes. Forms are built from rounded, oval-like curves paired with straight, slightly tapered verticals, creating a tight rhythm and strong texture in lines of text. Counters stay relatively open for the width, while terminals are mostly blunt with subtle rounding that keeps the shapes from feeling sharp. The overall construction reads sturdy and streamlined, with consistent stroke presence across curves and diagonals.

This font performs best in display contexts where impact and momentum are desirable, such as headlines, posters, event graphics, and sports or active-lifestyle branding. Its condensed build makes it useful when space is limited, including packaging callouts and vertical or narrow layout zones. It can work for short text blocks and subheads when ample size and spacing are available.

The slanted posture and compressed proportions give the face a sense of speed and urgency, like lettering intended to move. Its dense, dark color and rounded geometry feel assertive and contemporary, projecting confidence without becoming harsh. The tone leans energetic and promotional, suited to attention-grabbing messages.

The design appears intended to deliver a fast, compact, high-impact voice by combining a strong weight with a forward slant and tightly engineered proportions. Its rounded, simplified forms prioritize immediate recognition and a cohesive dark texture, suggesting a focus on branding, advertising, and other attention-led applications.

Uppercase letters are tall and tightly spaced in appearance, while the lowercase shows simple, robust silhouettes with minimal detailing and a clear, single-storey feel where applicable. Numerals match the same condensed, weighty style, maintaining uniform presence and legibility in short strings. The face holds a strong line-level cohesion, producing a bold, continuous typographic band in paragraphs.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸