Blackletter Miji 2 is a regular weight, normal width, low contrast, upright, normal x-height font.
Keywords: logos, posters, titles, packaging, signage, medieval, gothic, heraldic, dramatic, ceremonial, historic tone, display impact, gothic branding, manuscript echo, angular, calligraphic, chiseled, crisp, compact.
This blackletter-style design uses angular, broken strokes with clipped terminals and sharp corner joins, giving the letterforms a chiseled, pen-cut feel. Stems are sturdy and mostly straight, while bowls and shoulders are constructed from faceted curves that resolve into pointed or squared ends. Capitals are tall and structured with strong vertical emphasis and occasional decorative hooks, and the lowercase maintains a consistent rhythm through narrow counters and tightly managed internal space. Numerals follow the same fractured construction, keeping the set visually cohesive in text.
Best suited to brand marks, event titles, album or book covers, certificates, labels, and headline typography where a historical or gothic atmosphere is desired. It also works well for short phrases on posters and signage where the dense blackletter texture can be a feature rather than a limitation.
The overall tone is medieval and ceremonial, with a strong gothic presence that reads as traditional, authoritative, and slightly dramatic. Its crisp, blade-like detailing evokes manuscripts, heraldry, and old-world signage rather than casual modern writing.
The design appears intended to deliver an accessible blackletter look with consistent stroke behavior and a cohesive alphanumeric set, prioritizing bold presence and period character for display typography. Its structured construction and restrained ornament aim for readability within the genre while preserving a distinctly medieval voice.
In longer lines the dense texture and tight counters create a dark, continuous color that favors display sizes over small text. The sample shows clear word shapes, but the blackletter construction naturally increases visual complexity, especially in sequences of vertical strokes.