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Free for Commercial Use

Sans Normal Osmis 27 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Myriad Arabic' by Adobe, 'AG Royal' by Berthold, 'Croma Sans' and 'Epoca Pro' by Hoftype, 'MVB Solitaire Pro' by MVB, and 'Acto' and 'Morandi' by Monotype (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, confident, friendly, modern, bold, direct, impact, clarity, modernity, simplicity, brand presence, geometric, monoline, clean, compact, sturdy.


Free for commercial use
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This typeface is a heavy, monoline sans with rounded, geometric construction and broadly open counters. Curves are smooth and close to circular in forms like C, O, and G, while terminals and joins resolve into crisp, square-ish cuts that keep the silhouettes firm rather than soft. Uppercase proportions feel steady and blocky, and the lowercase uses simple, utilitarian shapes with a single-storey a, open e, and compact, rounded bowls. Numerals are wide and sturdy, with clear differentiation and minimal detailing.

Best suited for display typography where impact and clarity are needed—headlines, poster text, packaging, and bold brand wordmarks. It can also work for short UI labels or wayfinding where a strong, readable sans is preferred, though its heavy color makes it more natural in larger sizes than in dense body text.

The overall tone is assertive and approachable: it reads loud and confident without feeling aggressive. Its straightforward geometry and even rhythm give it a contemporary, no-nonsense voice that still feels friendly and familiar.

The design appears intended to deliver a clean, geometric sans presence with maximum visual weight and straightforward readability. It emphasizes even texture, simple letterforms, and strong shapes for attention-grabbing editorial and branding use.

The design prioritizes strong silhouette and legibility at larger sizes, with generous interior space and minimal stroke modulation. Round letters stay very regular, while diagonals and terminals introduce small angular moments that add bite and keep the texture from becoming overly soft.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸