Sans Normal Arnod 18 is a regular weight, wide, low contrast, upright, normal x-height font visually similar to 'Jarvis' by Alan Smithee Studio, 'BR Segma' by Brink, 'Nexa' by Fontfabric, 'Creata' by Ivan Petrov, 'Kometa' by Kiril Zlatkov Type Foundry, 'Cyntho Next' by Mint Type, and 'Sans Beam' by Stawix (names referenced only for comparison).
Keywords: ui text, brand systems, editorial, signage, presentations, modern, neutral, clean, friendly, functional, everyday readability, neutral branding, clean ui, geometric, monoline, open apertures, high legibility, rounded terminals.
This sans uses simple geometric construction with smooth curves and largely monoline strokes. Round letters like C, O, and Q read as clean ellipses, while straight-sided forms such as E, F, H, and N keep crisp right angles. Counters are generous and apertures are open, helping maintain clarity at text sizes. The lowercase follows a straightforward, contemporary skeleton with single-storey a and g, compact shoulders on n/m, and a short, minimal-curve r; the overall spacing feels even and steady, giving paragraphs a tidy rhythm.
It suits interface and product text where clarity and steady texture are important, and it scales well for presentations and general-purpose corporate materials. The clean geometry and open forms also work for editorial layouts and signage that need a modern, no-nonsense voice.
The tone is modern and neutral with a mild friendliness coming from its rounded curves and uncomplicated shapes. It feels practical and unpretentious—more about clear communication than stylistic display—while still reading as contemporary and approachable.
The design appears intended as a dependable, contemporary sans for everyday reading and broad application. Its geometric underpinnings, open counters, and restrained detailing suggest a focus on legibility and consistent texture across both short labels and longer passages.
Figures are simple and readable with smooth curves and consistent stroke thickness, and the uppercase set maintains a calm, even color across lines. The design avoids sharp calligraphic modulation and decorative quirks, favoring consistency and straightforward forms.