Sans Superellipse Utlet 1 is a bold, very wide, low contrast, upright, normal x-height font visually similar to 'Parsi' by Naghi Naghachian, 'Gemsbuck 01' and 'Gemsbuck Pro' by Studio Fat Cat, and 'Ddt' by Typodermic (names referenced only for comparison).
Keywords: headlines, logos, branding, posters, ui display, tech, futuristic, industrial, sporty, confident, modernize, differentiate, signal tech, maximize impact, systematize, squared-round, blocky, geometric, compact apertures, smooth corners.
A heavy, geometric sans built from rounded-rectangle and superellipse-like curves, pairing broad proportions with consistent stroke weight. Corners are softly radiused while terminals stay flat and squared, creating a sturdy, engineered silhouette. Counters and apertures tend toward compact, squared forms (notably in O/0, a, e, and s), and the overall rhythm is even and modular. Diagonals are clean and assertive, and the numerals follow the same rounded-square logic for a cohesive, system-like texture in text.
Best suited for branding, headlines, posters, packaging, and prominent UI/UX display moments where a strong, geometric voice is desired. It can also work for short blocks of text in signage or product labeling, but the compact apertures and dense forms favor larger sizes and clearer spacing.
The font projects a modern, tech-forward attitude with an industrial, utilitarian confidence. Its rounded-square geometry feels contemporary and slightly futuristic, suggesting interfaces, machines, and performance branding more than editorial warmth.
The design appears intended to deliver a bold, contemporary sans with a distinctive rounded-square construction—prioritizing clarity, uniformity, and a high-impact, tech-leaning personality across letters and numerals.
Round letters read more like softened rectangles than circles, which increases the sense of structure and uniformity. The dense interior shapes and broad set widths make it especially impactful at larger sizes where the superelliptic details and rounded corners are most apparent.