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Free for Commercial Use

Sans Other Gudi 3 is a very bold, normal width, medium contrast, upright, normal x-height font.

Keywords: posters, headlines, signage, packaging, logo design, industrial, stenciled, retro, mechanical, assertive, stencil effect, display impact, industrial styling, brand distinctiveness, geometric, cut-out, modular, high-impact, poster-ready.


Free for commercial use
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A heavy, geometric sans with a distinctive cut-out/stencil construction: most strokes are interrupted by narrow vertical slits and occasional notches that create a segmented, modular feel. Counters are large and simplified, with round forms (C, O, G, Q) approaching near-circular geometry and straight-sided letters built from thick, blocky strokes. Terminals are predominantly flat, joins are sturdy, and the overall rhythm is compact and punchy, with simplified diagonals and occasional wedge-like shaping in letters such as V, W, X, and Y. Numerals follow the same cut-in logic, keeping forms bold and highly graphic.

Best suited to large-scale display applications where the stencil-like cuts can be appreciated: posters, headlines, event graphics, packaging, and bold branding marks. It can also work for signage and labeling where a rugged, industrial voice is desired, but it is less appropriate for long passages of small text due to its highly segmented interior detailing.

The font conveys an industrial, manufactured tone—part stencil, part retro display—suggesting machinery, labeling, and bold signage. The repeated internal slits add a technical, engineered character that feels confident and attention-grabbing rather than delicate or conversational.

The design appears intended to reinterpret a geometric sans through a consistent stencil/cut-out system, producing a distinctive word texture while maintaining clear, sturdy silhouettes. The goal seems to be high-impact display typography with a memorable, engineered visual hook.

The cut-out gaps are consistent enough to read as a defining motif, creating strong texture in words and adding a sense of motion across lines. At smaller sizes the internal breaks may begin to merge visually, while at larger sizes they become a prominent graphic detail that can function as a brand signature.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸