Sans Superellipse Abbok 15 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'FF Good' and 'FF Good Headline' by FontFont and 'Haboro Sans' by insigne (names referenced only for comparison).
Keywords: ui text, branding, signage, editorial, presentations, clean, friendly, modern, neutral, accessible, modernization, clarity, approachability, systematic consistency, monoline, rounded, geometric, open apertures, soft corners.
A monoline sans with softened, superellipse-like curves and gently squared rounds that keep bowls and counters stable and consistent. Strokes maintain even thickness throughout, with clean terminals and minimal modulation, producing a calm, orderly rhythm. Uppercase forms are straightforward and geometric, while lowercase letters show open apertures and simple constructions that emphasize clarity. Numerals follow the same rounded-rectangular logic, with smooth curves and restrained detailing for a uniform texture in running text.
Well-suited to UI and product text where clean shapes and even color aid readability, as well as contemporary branding that wants a friendly geometric voice. It should also perform reliably in signage and wayfinding at medium to large sizes, and in editorial or presentation settings where a neutral, modern sans is needed for longer passages.
The overall tone is contemporary and approachable, combining geometric discipline with softened corners that reduce harshness. It reads as practical and neutral rather than expressive, with a subtle friendliness that suits everyday interfaces and brand systems.
The design appears intended to deliver a modern geometric sans that remains comfortable in continuous reading by rounding corners, keeping contrast low, and maintaining open, uncomplicated letterforms. Its superellipse-inspired rounds provide a recognizable identity while preserving a restrained, utilitarian feel.
Spacing appears balanced and slightly generous, helping the font stay legible in paragraphs and mixed-case settings. Round letters (like o/c/e) lean toward squarish rounds, giving the face a distinctive, modern “soft-geometry” signature without feeling quirky.