Sans Superellipse Odni 2 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Cybersport' by Anton Kokoshka, 'Mercurial' and 'Midsole' by Grype, 'Revx Neue' and 'Revx Neue Rounded' by OneSevenPointFive, and 'Great Escape' by Typodermic (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, signage, techy, sturdy, friendly, futuristic, industrial, impact, modernity, systematic, approachability, clarity, rounded, blocky, compact, geometric, soft-cornered.
A heavy, rounded-rectangle sans with uniform stroke weight and compact proportions. Corners are generously filleted, and bowls/counters tend toward squared, superellipse-like shapes rather than true circles. Apertures are generally closed or narrowly cut, producing strong silhouettes and dense texture; internal counters stay readable due to consistent, generous spacing. Capitals are wide and stable, while lowercase shows simplified, geometric construction with single-storey forms and straight-sided curves. Numerals echo the same rounded-corner, squared-curve logic for a cohesive, modular rhythm.
Well-suited for headlines, branding marks, packaging, and display typography where a solid, contemporary voice is needed. It can also work for signage and UI labels at larger sizes, especially in tech, gaming, or product contexts where squared-rounded geometry complements the visual system.
The overall tone feels modern and engineered—confident, durable, and slightly playful due to the softened corners. Its squared curves and tight apertures suggest a digital or industrial sensibility, while the rounded finishing keeps it approachable rather than harsh.
The letterforms appear designed to deliver maximum impact with a clean, geometric system built from rounded rectangles. The consistent stroke and softened corners aim to balance mechanical precision with friendliness, creating a bold display style that remains legible and cohesive across caps, lowercase, and numerals.
The design reads best where bold, high-contrast shapes are desirable; the compact, closed forms create a strong presence and a consistent “tile-like” cadence across words. Diacritics are not shown; the sample demonstrates a sturdy, headline-forward texture with clear differentiation in key shapes like I/J, O/Q, and 0/8/9.