Sans Superellipse Ogguw 3 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Mozer' by Fontfabric, 'Antry Sans' by Mans Greback, 'MC Goshco' by Maulana Creative, 'Core Sans M' by S-Core, and 'Probeta' by deFharo (names referenced only for comparison).
Keywords: headlines, posters, packaging, signage, logos, retro, industrial, playful, punchy, compact, impact, branding, compactness, retro feel, rounded, blocky, squared, soft-cornered, heavyweight.
A compact, heavy sans with a rounded-rectangle (superellipse) construction throughout. Strokes are consistently thick with softened corners and squared terminals, creating a sturdy, block-like texture. Counters are small and often rectangular, and curves tend to resolve into broad, flat-ish arcs rather than true circles, which gives the alphabet a tightly engineered rhythm. Spacing reads even and dense, with short ascenders/descenders and a strong, uniform color on the page.
Best suited for headlines and short bursts of text where its dense, chunky shapes can deliver impact—posters, packaging, signage, and logo wordmarks. It can work in brief subheads or UI labels when a strong, rounded-industrial personality is desired, but the compact counters suggest avoiding very small sizes for longer passages.
The overall tone feels assertive and friendly at the same time: bold and utilitarian, yet softened by rounded corners. Its geometric squareness suggests retro signage and industrial labeling, while the inflated, compact shapes add a playful, game-like energy.
The design appears intended to provide a highly legible, high-impact sans built from rounded-rectangular geometry, balancing toughness with approachability. Its consistent stroke weight and softened corners suggest a deliberate move toward a bold, brandable display style that holds together in large-scale applications.
Distinctive superelliptic rounds are especially evident in characters like O, Q, C, and G, which appear more squarish than circular. Lowercase forms are simple and sturdy, with single-storey structures and minimal modulation, reinforcing an economical, display-oriented voice.