Serif Contrasted Osvi 2 is a very bold, wide, high contrast, upright, normal x-height font visually similar to 'ITC Century' by ITC (names referenced only for comparison).
Keywords: posters, headlines, packaging, signage, logotypes, victorian, theatrical, confident, heritage, retro, display impact, vintage flavor, brand character, poster presence, ornamental detail, ball terminals, flared serifs, vertical stress, tight apertures, compact counters.
This is a heavy, display-oriented serif with pronounced vertical stress and crisp, high-contrast joins. Serifs are short and flared with a slightly bracketed feel in places, paired with frequent ball terminals and teardrop-like details that add sparkle at the ends of strokes. Letterforms are broad and sturdy with compact internal counters, giving the face a dense, ink-rich silhouette while still showing fine hairline transitions. The rhythm is relatively tight and blocky in text, with sturdy stems, rounded bowls, and distinctive, decorative curves in characters like a, g, j, and y.
Best suited to headlines, posters, and signage where its dense black shape and decorative terminals can carry impact. It also fits branding and packaging that want a heritage or Victorian-influenced mood, and it can work in short bursts of display copy where texture and personality matter more than extended reading comfort.
The overall tone reads as vintage and theatrical—confident, a bit ornate, and attention-seeking. Its bold silhouettes and decorative terminals evoke poster lettering, old playbills, and heritage packaging, projecting a classic but lively personality rather than a quiet editorial voice.
The design appears intended as a high-impact display serif that mixes classic, vertical-stress construction with decorative terminal flourishes. Its goal seems to be delivering strong presence and a historical, showcard-like character while keeping forms cohesive and legible at headline sizes.
The numerals are weighty and characterful, matching the letterforms with strong verticals and rounded curves. In the sample text, the dense color and tight openings suggest it is most comfortable at larger sizes where the terminal details and contrast can be clearly perceived.