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Free for Commercial Use

Sans Superellipse Abnay 12 is a regular weight, normal width, monoline, upright, normal x-height font visually similar to 'Anodina' by Stefano Giliberti (names referenced only for comparison).

Keywords: ui text, app design, web typography, signage, branding, clean, modern, neutral, techy, friendly, clarity, neutrality, modernity, approachability, system design, geometric, rounded corners, open counters, high legibility, crisp.


Free for commercial use
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A clean sans with geometric construction and softly squared, superellipse-like curves. Strokes are even and consistent, with rounded joins and terminals that keep edges smooth without feeling bubbly. Round characters (O, C, G, 0) read as rounded-rectangular forms, while straight-sided letters maintain a crisp, engineered rhythm. Apertures are fairly open and counters are generous, supporting clarity in text. The lowercase uses simple, contemporary shapes with a single-storey a and g, compact shoulders, and a straightforward, no-nonsense punctuation and numeral style.

This font suits user interfaces, dashboards, and web typography where clarity at varying sizes matters. Its rounded-rectangular forms and open counters also make it a good choice for wayfinding, product labeling, and contemporary branding systems that need a clean, dependable sans with a slightly softened edge.

The overall tone is modern and restrained, with a subtle friendliness from the rounded geometry. It feels practical and system-like—confidently neutral for interfaces—while still approachable due to the softened corners and smooth curves.

The letterforms suggest an intention to combine geometric precision with comfortable readability. The superellipse-inspired curves and consistent stroke treatment point to a design meant to feel contemporary and technical while remaining friendly and unobtrusive in continuous text.

The design balances rectangular structure and circular motion, producing a stable texture in paragraphs without looking rigid. Numerals appear clear and contemporary, and the forms stay consistent across uppercase and lowercase, reinforcing a cohesive, utilitarian voice.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸