Sans Other Sefy 1 is a regular weight, narrow, monoline, upright, normal x-height font.
Keywords: headlines, posters, branding, game ui, tech packaging, techno, retro, architectural, mechanical, futuristic, modular design, digital feel, geometric clarity, display impact, rectilinear, angular, geometric, square-cornered, condensed.
A rectilinear, monoline sans built from straight strokes and hard right angles, with virtually no curves in the bowls or joints. Counters tend toward squared or open shapes, and terminals are blunt and unmodulated, creating a crisp, engineered rhythm. Proportions are compact with tight interior spaces, and the design uses simplified, constructed forms—often with open apertures and boxy geometry—yielding a distinctly digital, modular look across capitals, lowercase, and numerals.
Well suited for display typography where a constructed, digital/industrial voice is desired: headlines, poster titles, logotypes, sci‑fi or tech-themed branding, and interface elements in games or dashboards. It can also work for labels and packaging that benefit from a sharp, engineered look, especially when set with generous tracking and ample size.
The overall tone feels technical and futuristic with a retro digital edge, like signage or interface lettering drawn from grids and straightedges. Its sharp angles and pared-down construction read as precise, mechanical, and slightly game-like, prioritizing a “designed system” feel over warmth or calligraphic nuance.
The design appears intended to translate a grid-based, straight-stroke construction into a usable sans alphabet, emphasizing modular geometry and a distinctive angular signature. Its forms suggest a goal of conveying a technical, contemporary mood while retaining a retro digital flavor through squared counters and simplified letter structures.
Many glyphs emphasize open, squared counters and minimal stroke economy, which strengthens the modular aesthetic but can make similarly structured characters feel closer at small sizes. The distinctive geometry gives strong stylistic identity in short runs and display settings, where the angular patterning is most legible and intentional.