Sans Superellipse Uhby 4 is a bold, wide, low contrast, upright, normal x-height font visually similar to 'Nicomedia' by Artegra, 'Plasma' by Corradine Fonts, 'Meguro Sans' by GT&CANARY, 'Absalon' by Michael Nordstrom Kjaer, 'Olney' by Philatype, 'RBNo3.1' by René Bieder, and 'Celdum' by The Northern Block (names referenced only for comparison).
Keywords: headlines, posters, branding, sportswear, packaging, techno, industrial, futuristic, utilitarian, sporty, impact, modernization, systematic geometry, tech feel, branding strength, squared, rounded corners, stencil-like, modular, compact apertures.
A heavy, geometric sans built from rounded-rectangle (superelliptical) shapes with consistent, low-contrast strokes. Corners are broadly radiused and curves resolve into squared terminals, giving bowls and counters a boxy, engineered feel. Apertures tend to be tight, with generous stroke thickness creating dense interiors in letters like a, e, s, and g. The rhythm is steady and modular, with crisp verticals and horizontals and slightly squared curves throughout; numerals echo the same rounded-corner rectangle construction for a cohesive, system-like texture.
Best suited to display roles such as headlines, posters, logos, and brand marks where a bold, technical voice is needed. It can also work well for product packaging, UI headers, and wayfinding-style graphics that benefit from sturdy, rounded-rect geometry and strong silhouette clarity.
The overall tone is modern and technical, evoking interfaces, equipment labeling, and performance branding. Its blocky rounding feels both friendly and machine-made, balancing a futuristic flavor with a practical, no-nonsense presence.
The design appears intended to deliver a contemporary, modular sans with a distinctive superelliptical skeleton—rounded yet squared—optimized for high-impact messaging and a tech-forward aesthetic.
Several glyphs show purposeful reductions or cut-ins that read as subtly stencil-like in places, reinforcing an engineered, signage-oriented character. The design prioritizes impact and shape recognition over open counters, so it feels strongest at larger sizes where the squared rounding and dense forms are most legible.