Sans Other Buruf 6 is a regular weight, normal width, medium contrast, upright, normal x-height font.
Keywords: posters, headlines, logotypes, packaging, book covers, art deco, geometric, dramatic, stylized, retro, display impact, deco revival, ornamental cutouts, silhouette emphasis, stencil-like, chiseled, wedge-cut, high-impact, angular.
A stylized sans with geometric construction and deliberate cut-ins that create a stencil-like, segmented feel. Strokes are mostly monolinear but shaped into sharp wedges and tapered terminals, producing pointed joins and blade-like diagonals. Bowls and curves are often split by vertical slits or notches (notably in O/Q/8/9 and several lowercase forms), giving the alphabet a carved, faceted rhythm. Counters skew narrow and the overall texture is bold and graphic, with distinctive, sometimes asymmetrical letterforms that emphasize silhouette over conventional readability.
Best suited for display applications such as posters, headlines, branding marks, packaging, and cover typography where the segmented details can be appreciated at larger sizes. It works well for thematic work that benefits from a retro-futurist or Deco-inspired tone, and for short phrases where its distinctive silhouettes aid recognition. For extended reading, it will be most comfortable when set generously with ample size and tracking.
The font conveys a theatrical, vintage-modern mood with clear Art Deco energy—sleek, ornamental, and slightly mysterious. Its cut-and-carve details feel like signage or title lettering, suggesting sophistication with a hint of noir drama. The sharp wedges and segmented curves add motion and tension, making the tone expressive rather than neutral.
Likely designed to reinterpret a geometric sans through a carved, cutout treatment—combining clean structure with ornamental negative-space incisions. The consistent wedge terminals and split bowls suggest an intention to create a memorable, high-contrast-in-shape texture that reads as both modern and period-inspired in display settings.
Spacing and letterfit appear tuned for display, where the internal slits and notches read as intentional patterning. Numerals follow the same faceted logic—especially the rounded figures—so mixed alphanumeric settings keep a consistent visual voice. In longer text, the distinctive openings and narrow counters can become busy, reinforcing its role as a headline-forward style.