Sans Superellipse Pilov 10 is a very bold, very narrow, low contrast, upright, tall x-height font visually similar to 'Privilege Sign JNL' by Jeff Levine, 'Frontage Condensed' by Juri Zaech, 'Gemsbuck Pro' by Studio Fat Cat, 'Delonie' and 'Headpen' by Umka Type, and 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: headlines, posters, signage, branding, sports, industrial, condensed, authoritative, utilitarian, headline, space saving, high impact, graphic clarity, blocky, rounded corners, compact, sturdy.
A condensed sans with heavy, uniform strokes and a compact, vertical stance. Curves are built from rounded-rectangle geometry, giving bowls and counters a squared, superelliptical feel rather than true circles. Terminals are blunt and clean, with minimal modulation and tight interior spaces that reinforce a dense color on the page. The uppercase reads tall and rigid, while the lowercase keeps a simplified, sturdy structure that stays consistent with the compressed proportions.
Best suited to headlines, posters, and short-form messaging where strong presence and condensed economy are valuable. It can work well for branding, packaging callouts, and sports or event graphics that need tall, emphatic letterforms. For extended reading at small sizes, the dense strokes and tight counters suggest using it sparingly or with generous size and spacing.
The overall tone is assertive and no-nonsense, with an industrial directness that feels built for impact rather than delicacy. Its compact width and blocky rounding evoke utilitarian signage and bold editorial titling, projecting strength and urgency.
The font appears designed to deliver maximum impact in minimal horizontal space, using squared-rounded geometry to keep forms crisp and highly graphic. Its consistent stroke weight and simplified shapes suggest an intention toward bold display typography that remains clean and reproducible across print and environmental applications.
The design maintains a consistent rhythm across letters and numerals, favoring clarity at larger sizes where the tight counters and compressed spacing become a deliberate stylistic feature. Rounded corners soften the mass slightly, preventing the extreme weight from feeling overly harsh.