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Free for Commercial Use

Sans Normal Abdih 12 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Dikta Neue' by Atasi Studio, 'Neue Haas Unica' and 'Neue Haas Unica Paneuropean' by Linotype, 'Monto Grotesk' by Lucas Tillian, 'Glimp' by OneSevenPointFive, and 'Scatio' by Wahyu and Sani Co. (names referenced only for comparison).

Keywords: ui text, branding, headlines, captions, signage, modern, clean, brisk, technical, professional, emphasis, clarity, neutrality, contemporary feel, system compatibility, oblique, geometric, monoline, rounded, open apertures.


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This is an oblique sans with a largely monoline stroke and smooth, geometric curves. Capitals are clean and compact, with rounded bowls (C, G, O, Q) and straightforward, engineered diagonals (K, V, W, X) that keep a crisp rhythm. Lowercase forms favor simple construction with open counters and uncluttered terminals, producing an even color in text. Numerals are clear and contemporary, with a distinctively angled, streamlined feel that matches the overall slant.

It works well for UI labeling, dashboards, and product typography where a clean sans with an intentional oblique emphasis is useful. The steady rhythm and open shapes also suit short paragraphs, captions, and modern editorial callouts, while the slanted stance can add motion in headings and signage.

The overall tone is modern and brisk, reading as efficient and forward-leaning rather than decorative. Its smooth geometry and consistent slant give it a pragmatic, slightly technical voice that feels at home in contemporary interfaces and brand systems.

The design appears intended as a contemporary oblique companion for a neutral sans system, prioritizing clarity, consistency, and a smooth geometric feel. The aim seems to be an italic that reads confidently on its own while staying disciplined enough for functional typography.

The italic angle is prominent and consistent across capitals, lowercase, and numerals, which helps maintain flow in longer passages. Curves stay round and controlled, while joins and terminals remain simple, keeping the texture uniform and minimizing visual noise.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
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13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸