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Free for Commercial Use

Sans Superellipse Osgid 5 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Miura' by DSType, 'Prelo Condensed' by Monotype, 'Belle Sans' by Park Street Studio, 'Akwe Pro' by ROHH, 'Jasan' by Storm Type Foundry, and 'Radiate Sans' by Studio Sun (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, friendly, modern, confident, approachable, clean, high impact, modern clarity, friendly geometry, brand presence, display strength, rounded, soft corners, geometric, compact, sturdy.


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A heavy, geometric sans with superellipse-like bowls and softly squared curves. Strokes are broadly even, with minimal modulation and compact apertures that keep counters tight at display sizes. Terminals are clean and mostly flat, while joins and curves lean toward rounded-rectangle geometry, giving letters a sturdy, engineered feel. The lowercase is straightforward and legible, with a single-storey “g” and a simple, open “e,” and the numerals match the same dense, blocky rhythm.

Works best for display typography where strong contrast against the background and immediate readability are needed—headlines, posters, brand marks, packaging callouts, and signage. Its rounded-rect geometry also suits product and tech-adjacent branding, UI headings, and short, punchy messaging.

The tone is contemporary and upbeat, mixing solidity with softness. Rounded geometry keeps it friendly and accessible, while the dense weight and compact counters add a confident, no-nonsense presence suited to attention-grabbing typography.

The design appears intended to deliver maximum impact with a friendly geometric voice: dense, uniform strokes for authority, paired with superellipse curves for warmth and modernity. It aims for clarity and consistency across letters and numerals while maintaining a distinctive rounded-rectangle silhouette.

In text settings the color is dark and uniform, creating strong impact and clear word shapes. The compact spacing and tight interior counters suggest it performs best when given adequate size and breathing room, especially in longer lines.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸